If words are the lifeblood of gospel music, rhythm is the heartbeat upon which they thrive. With its four fundamentally different sets of tonal characteristics, this EZX covers the entire scope and paints an impressive sonic image – from the open-sounding tones of the early 1940s and the dry, muffled and tight ones of the 1960s to the punchy, distinct and crystal clear sound of today.Īdd to that the ear and craftsmanship of Danny Duncan – seven-time Grammy Award-winning engineer/producer with a longstanding gospel merit – the breathtaking aura of the Paragon Studios A-room, the magic stroke of drummer Calvin Rodgers as well as custom presets, MIDI, percussion, handclaps, snaps and foot stomps and you have the ultimate gospel battery. With branches arching into anything from R&B and soul to rock, hip-hop and fusion, gospel is the literal definition of width. The Gospel EZX celebrates just that: the power of rhythm and the legacy of a genre whose DNA over the course of history has seeped through to almost any facet of music imaginable. Simply put: rhythm is instilled in each fiber of gospel as we know it. Up until today and ever since the early days, when makeshift kits, foot stomps and handclaps served as rhythm sections in churches, the beat has been central in every syllable, bar and phrase of worship music. Toontrack Gospel EZX v1.0.1 (SOUNDBANK) A journey in gospel drums – from the ’40s through to today.Ī journey in gospel drums – from the ’40s through to today.
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